by Moroso
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Clarissa Armchair
by
Moroso
Designed Patricia Urquiola
A seat and its double: on one side it encloses and protects, on the other it opens up and welcomes. A clear ambivalence which elaborately separates form and content, image and concept, the name hood hints at this double function. The hood is both an ancient and contemporary urban symbol; it protects and frames the face but it can also hide it, signalling a refusal to communicate or interact. The impact is intense, and everything is a game of contrast: the three dimensional seat seems to imply the two-dimensionality of a drawing.
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