FENDI Casa Presents Elegance In a Collection
FENDI Casa presents a collection that is an expression of elegance and excellence in craftsmanship. A furnishing project that combines sartorial details with innovation, creating an environment that enhances contemporary lines and precious materials.
Furniture and accessories trace an aesthetic vision that is classic and experimental at the same time, in constant balance between tradition and innovation.
The colour palette is marked by a rational and calibrated use of the colour. The tones range from neutral nuances of quartz grey, clay and leather, to soft, dusty colours of Prussian blue, light blue and green, combined with the upholstery of the seats. A flawless style exercise achieved thanks to the combination of metal elements, declined in the finishes of the collection, forged for structures, to sign details and profiles, or in combination with marble surfaces.
The elegant and essential design defines shapes and materials in harmony with the surrounding space. The collection is enriched by the new Icon Lite and One sofas enhancing a style defined by large proportions and a rational study of volumes.
The enveloping and refined lines of the new Brigitte armchairs skilfully complete the living area. The measured proportions and graphic features of the Icon system, bed and lady desk, enrich the night environment.
Fabrics and yarns reveal the highest quality of FENDI Casa and an innovative approach to the art of decoration, acquiring a more distinctly sensory and material dimension. High-performance cotton velvets are combined with soft chenille that emphasizes the comfort of the seats, while precious jacquards are defined by geometric patterns.
The leather and precious hides enhance the craftsmanship and the utmost attention to detail, key codes of FENDI. The minimal thickness and rough textures recall the textile world, while nubuck is combined with opaque leathers or leathers worked in a play of materials.
For more information about Fendi Casa, visit casarredo.co.za.
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