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Wiid Design

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Ceramic Coffee Table
by Wiid Design

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    Ceramic Coffee Table by
    Wiid Design

    Manufactured from American Walnut or American Ash legs, steel, and handmade reactive glazed tiles. The reactive glazed tiles are grouted within a steel framework with a dark charcoal grout.

    The steel structure is fabricated from electro-galvanized mild steel, stainless steel and finished in a durable black ferrograin powder coat.

    This product can be customised to client requirements.

    Please note that each reactive glazed tile is unique due to colour differences when fired.

    About Wiid Design


    Laurie Wiid van Heerden established his studio, Wiid Design, in Cape Town in 2013. Often working collaboratively with other artists and across a wide variety of materials, Laurie’s product range spans furniture, lighting, tableware and collectible objects that combine specialist manufacturing with handcrafting.

    The studio has become well-known for its innovative use of cork in high-end product design, architecture and large-scale production manufacturing. Recognised as an African “ambassador” for cork by Portuguese producer Amorim, Laurie has pushed the boundaries of the material to achieve a number of world “firsts” – including the world’s largest cork pendant light and cork cabinet, both of which have been exhibited by Southern Guild.

    Laurie Wiid’s work comes from a conceptual and artistic environment, an angle on various topics of contemporary culture, with a focus on traditional handcrafting in combination with avant-garde techniques. By combining handcrafting and specialist techniques, Wiid transforms materials into life-enriching and durable objet d’art.

    Born in Cape Town in 1987, Laurie opted for a hands-on approach to studying design and manufacturing. He apprenticed to Otto du Plessis and Charles Haupt at Bronze Age Foundry as well as to a carpenter for three years, and from 2009 to 2013 he worked closely with leading South African sculptor Wim Botha as his assistant. During this time, he started designing and manufacturing his own ceramics and furniture and collaborating with fellow creatives.

    The first in his ongoing series of one-off benches, Untitled (After W.B.), is based on the techniques he learned while working for Botha. A tribute to his mentor and an exploration of Laurie’s love for working with timber, the carefully constructed bench seat comprises of a number of faceted and angular planes that form a controlled point or climax.

     

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